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Step 5 – Using a Colour Wheel to Formulate with Colour HarmonyĪnd it isn’t just fixing others’ mistakes that your colour wheel will help with. Remember, the theory of complimentary colours will help you fix a variety of colour mishaps: Happy days, your client is now the blonde she’d hoped to be in the first place. You whip up a toner of 10/6 (violet with your colour house) and apply it to your client’s hair, following the manufacturer’s instructions. Their target shade is a 10/0.Ĭombining your colour wheel with your knowledge of the theory of complimentary colours (opposite colours neutralise each other – see the diagram below), you quickly identify that violet will kill that nasty canary yellow! Using your hair analysing skills and colour wheel, you identify that the client is a depth and tone of a 10/3. Step 4 – Using a Colour Wheel to Neutralise Unwanted TonesĪ client walks into your salon after a colour mishap at another salon: her blonde hair is now canary yellow. Once you have your colour wheel personalised and you’ve refreshed your colour science theory, you’re ready to put your must-have tool into action. 6 on your violet and so on using a permanent marker pen. This will make like easier when you’re formulating hair colour. When choosing a colour wheel to add to your tool kit, it’s best to look for an Artist Colour Wheel that includesĪt MHD, we recommend that you also add the numbering or lettering system of the tones from your colour house to your colour wheel. Well, the colour wheel is a simple tool that gives you an organised way to digest colour theory and put it into practice when formulating colour for your clients. So, how does that relate to the colour wheel and the theory behind hair colour? Step 3 – The Colour Wheel and Hair Colour Theory It is estimated that the human eye can distinguish between a whopping 10 million colours in the visible colour spectrum. Mixing these colours together in different proportions makes all the colours of the light spectrum. There are three primary colours: red, yellow and blue. This colour is then reflected off the object.
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When light – or white light – hits an object, all colour wavelengths are absorbed except the colour of the object. Light is made up of wavelengths and each wavelength is a colour. We see the object’s colour from its colour wavelengths. When light hits an object, it is reflected off that object and into your eyes.
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If you were concentrating back then, you may remember that light travels in straight lines. If you’re just starting your hair colour journey, then your first stop is to dig deep into your long term memory and re-familiarise yourself with your primary school classes on the science of light.
Fashion color wheel how to#
Read on for details on how to understand the theory behind your colour wheel as well as practical tips on how to use it to delight your clients – or, if you’re an educator, for ideas on how to teach this complex topic effectively. The colour wheel is the one “can’t live without” tool that I’d recommends every colourist adds to their kit. The best colourist in the world would not attempt a client consultation, never mind a colour formulation, without consulting the theory of colour science and colour mixing. Nothing gets a hair colourist’s artistic juices flowing more than a colour wheel.